FRANK GAMBALE LESSON PDF

Learn how to play guitar with free online guitar lessons by Frank Gambale at TrueFire. In this lesson Frank Gambale focuses on spicing up the Blues improvisation! This lesson is especially designed for intermediate to advanced.

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Gambale’s playing combines fluidity with power. Hope you and I live when my guitar and keyboard inventions reach the market. What Are Tonal Centers?: The scale is Eb Lydian b7 or A Super Locrian depending on which root is used to visualize the chord change.

Both these chords have the same parent scale.

Also, make sure to look at his complete course The course is from Beginner to Advanced. His lessons on soloing in the third, fourth and fifth intervals are essential for progressive- or fusion-minde Johan Leesson – February 20, at 2: Thank you so much for sharing this stuff — you make me want to play guitar — some of the new stuff is so syntetic and boring — this is organic and real guitarstuff.

Notice also that these two elsson are basically the same except for the root. Notice that the ldsson difference is that the Lydian b7 keeps the A natural, which, after all, is the original root key of this Blues progression, so, it actually sounds more connected and better retaining the A instead of playing an Ab.

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Yes, you could do that but there is a scale that represents the move much better. I have covered a lot of that material and so now, for those of you who think, well, what other stuff can I ftank in a Bluesy way that is not necessarily straight up Blues?

Tom S – March 26, at This lesson is especially designed for intermediate to advanced guitar players.

Add courses or jams to your cart and gsmbale out quickly. Notice how the G and C swap roles between the A7 and Eb7.

Frank Gambale Online Guitar Lessons – TrueFire

Ricardo Eisenhut – March 26, at 2: Georges – March 26, at The 7th position Melodic Minor is where many altered dominant chords are such as 7 5b9. One of the first slippery and outside things I like to do is based on something that happens all the time while ,esson in the standard blues chord progression, but very few musicians act upon what the chords suggest when they play the single lines in a solo.

The Blues Scale Pt.

OK then, what scale can we use for this passing Eb7? The 3 Yambale of Tonal Centers: Best from Johan Schock. Hans Van Even – February 19, at The 3rd of the A7 becomes the b7 of the Eb7 and the 3rd of the A7 becomes the b7 of the Eb7, weird huh?

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Spice Up your Blues Playing with Frank Gambale

Look really closely at the A7 and then the Eb7. Now some might say, well, the scale for the Eb7 should simple be the Eb Mixolydian, or just play and Eb Blues scale for 2 beats and be done with it.

I will make the Eb7 into an Eb9 that will make it even clearer what is going on here. When the bass moves a tritone or b5th away to A, it becomes an A7 altered chord. His lessons on soloing in the third, fourth and fifth intervals are essential for progressive- or fusion-minded players – or anyone looking to make strides as an improviser. Demo Corey Congilio’s Trading Solos: The 4th and the 7th of Bb Melodic Minor are the notes Eb and A, which are the roots of the two chords we are studying.